Takahiko Iimura Movies
- 1977

One Frame Duration
One Frame Duration01977HD
The films concerns the "duration" (or non-duration) of one frame, as the title indicates, the minimum unit of film in space (dark and light) with...
![One Frame Duration]()
- 1995

This Is a Camera Which Shoots This
This Is a Camera Which Shoots This01995HD
"This Is a Camera Which Shoots This" and "As I See You You See Me" are both set up facing two cameras and monitors and the performer walks between...
![This Is a Camera Which Shoots This]()
- 1970

In The River
In The River01970HD
Iimura analyzed some footage he had made in Katmandu of a man taking a bath in a sacred river. A meditational experience is, thus, presented in a...
![In The River]()
- 1985

John Cage Performs James Joyce
John Cage Performs James Joyce01985HD
A voice performance by John Cage who "reads", "vocalizes" and "whispers" in three different manners his artificial language taken from "Finnegens...
![John Cage Performs James Joyce]()
- 1975

24 Frames per Second
24 Frames per Second01975HD
This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.
![24 Frames per Second]()
- 1967

New York Scenes
New York Scenes01967HD
‘New York Scenes’ (1967) is sketches of certain scenes and portraits in New York including, ‘Linda with a lens’, ‘Fire...
![New York Scenes]()
- 1981

Talking Picture (The Structure of Film Viewing)
Talking Picture (The Structure of Film Viewing)01981HD
Consisting of four parts: Between the Frames; Seeing Nothing; The Privilege to See; I Am A Viewer / You Are A Viewer. The film demonstrates and...
![Talking Picture (The Structure of Film Viewing)]()
- 1970

Kiri (The Fog)
Kiri (The Fog)01970HD
"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the...
![Kiri (The Fog)]()
- 1966

I Saw the Shadow
I Saw the Shadow01966HD
A precedent to Iimura's video work where he becomes his own subject, I Saw the Shadow sees Iimura follow his own shadow in and out of vision as he...
![I Saw the Shadow]()
- 1976

Observer / Observed / Observer
Observer / Observed / Observer01976HD
Cameras once again observing each other.
![Observer / Observed / Observer]()
- 1964

Inside & Outside
Inside & Outside01964HD
Short film for the "A Commercial for Myself" programme.
![Inside & Outside]()
- 2004

Ma: The Stones Haved Moved
Ma: The Stones Haved Moved02004HD
An animation film in which the outline of the image of a stone garden was traced on computer. As the result while the camera-crews moved in...
![Ma: The Stones Haved Moved]()
- 1972

Models: B-2: A Line 1, 2, 3
Models: B-2: A Line 1, 2, 301972HD
Takahiko Iimura's Models Series
![Models: B-2: A Line 1, 2, 3]()
- 1972

Models: A-1: 2 Min. 46 Sec. 16 Frames
Models: A-1: 2 Min. 46 Sec. 16 Frames01972HD
By using simple systems of counting and measuring in film, Iimura has drawn attention to the complexities of our time perception – memory,...
![Models: A-1: 2 Min. 46 Sec. 16 Frames]()
- 1990

To The Garden of Water Lilies
To The Garden of Water Lilies01990HD
Film by Takahiko Iimura
![To The Garden of Water Lilies]()
- 1976

Camera, Monitor, Frame
Camera, Monitor, Frame01976HD
Camera, Monitor, Frame is the first installment of Takahiko Iimura's "Video Semiotics Triptych" (the other two works are Observer/Observed, made in...
![Camera, Monitor, Frame]()
- 1991

Concept Tapes 1
Concept Tapes 101991HD
![Concept Tapes 1]()
- 2002

Un Ange Passe
Un Ange Passe02002HD
Experimental short by Keiji Aiuchi.
![Un Ange Passe]()
- 1973

1 To 60 Seconds
1 To 60 Seconds01973HD
"In 1 to 60 Seconds Iimura does an extraordinary thing: he abstracts time from any concrete associations, seems to put it on the screen and there you...
![1 To 60 Seconds]()
- 1973

Plus and Minus
Plus and Minus01973HD
"Of the new foreign work I saw, (at the Avantgarde Film Festival in London) that of Taka Iimura interested me most – His film + & -, using...
![Plus and Minus]()













