Andrew Kötting Movies
- 1992

Fleshfilm
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Ken Nordine’s jazz spoken-word soundtrack was the inspiration for this work and a collection of body parts that Andrew Kötting had...
![Fleshfilm]()
- 2016

All at Se̶e̶a
All at Se̶e̶a02016HD
A companion piece to the film IT’S ALL IN THE MIND commissioned through Channel 4 for their RANDOM ACTS strand. This time however we are not...
![All at Se̶e̶a]()
- 1987

Self Heal
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A sad tale that waxes lyrical, replete with the diabolical bastardisation of various Greek myths.
![Self Heal]()
- 2012

All Hallows on Sea
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Raw HD time-lapse sequences made for the feature film SWANDOWN re-edited and manipulated.
![All Hallows on Sea]()
- 1990

Hoi-Polloi
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Part home-movie, part diary, evoking the disembodied voices of the hoi polloi, manifest as an animistic presence within the landscape.
![Hoi-Polloi]()
- 2015

Fever Hospital
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Historical voices and images relay the experiences of tuberculosis, Knightwick Sanatorium and London Fever Hospital.
![Fever Hospital]()
- 2019

What Can You See?
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A video postcard: "Ubi amor ibi oculus" ("Where love is, there is insight").
![What Can You See?]()
- 2021

Diseased and Disorderly
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Neuro-diverse artist Eden Kötting’s remarkable drawings, paintings and collages create an illusory, animated world where the rules change...
![Diseased and Disorderly]()
- 1983

Dont Shout
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Shot at an old butchers in Lee Green, South East London with Heilco Van der Ploeug. Designed to run as a super 8 projection for the performances...
![Dont Shout]()
- 2014

The Woman of Kent
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'I’m not moaning, you don’t hear me moaning!' These are the words spoken by Gladys Morris, the artist’s dead grandmother, that...
![The Woman of Kent]()
- 2015

Black Apples
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This work is inspired by the BLACK APPLES OF GOWER – a book by Iain Sinclair. The film investigates the ideas of travel, memory, history and...
![Black Apples]()
- 1970

We Are Persons
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Collaging images and sounds around the themes of vanity and solipsism the film gently nudges us in the direction of self-reflection and what it means...
![We Are Persons]()
- 2012

Bunhill Fields Artefact: Swandown – Culled from a Waterbound Journey from Hastings to Hackney
Bunhill Fields Artefact: Swandown – Culled from a Waterbound Journey from Hastings to Hackney4.82012HD
Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.
![Bunhill Fields Artefact: Swandown – Culled from a Waterbound Journey from Hastings to Hackney]()
- 2015

Is This Where You Are Leaving Me?
Is This Where You Are Leaving Me?02015HD
A brief portrait of frailty and hanging on
![Is This Where You Are Leaving Me?]()
- 2014

This Illuminated World Is Full of Stupid Men
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Eden Kötting draws bright images on transparent glass, while talking with her dad about the world and the people who run it.
![This Illuminated World Is Full of Stupid Men]()
- 2012

Artefact #5: Swandown – Culled from a Waterbound Journey from Hastings to Hackney
Artefact #5: Swandown – Culled from a Waterbound Journey from Hastings to Hackney5.32012HD
Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.
![Artefact #5: Swandown – Culled from a Waterbound Journey from Hastings to Hackney]()
- 2020

BECAUSE THE REST IS SILENCE
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BECAUSE THE REST IS SILENCE reconfigures aspects of Kötting’s previous moving image works, which focus on the idea of place. But perhaps...
![BECAUSE THE REST IS SILENCE]()
- 2012

Artefact #2: Swandown – Culled from a Waterbound Journey from Hastings to Hackney
Artefact #2: Swandown – Culled from a Waterbound Journey from Hastings to Hackney6.52012HD
Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.
![Artefact #2: Swandown – Culled from a Waterbound Journey from Hastings to Hackney]()
- 2007

That’s the Way to Do It
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Andrew Kötting’s short film ‘That’s the Way to Do It’ is based on Farquhar’s life-size Punch & Judy performance...
![That’s the Way to Do It]()
- 2002

Nucleus Ambiguous
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"Whilst making Mapping Perception I discovered this ‘found footage’, originating from somewhere in France and felt compelled to...
![Nucleus Ambiguous]()















